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Magazine Cover Analysis: Private Eye

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  For Private Eye magazine, the masthead is presented in a black, sans-serif font in block capitals, making it easy for the audience to spot and consume. The font style is rather linear and sharp, suggesting the content of the magazine is straight to the point.  The colour scheme of the cover is made up of red, black, yellow and blue, however, the blue and yellow are only included in the main image and graphics, rather than text such as the cover lines.  The sans-serif font persists throughout the cover, yet a serif font appears in both the comical speech bubbles and the dateline. The change in font from sans-serif to serif may be used to tone down the satirical tone presented in the speech bubbles, suggesting that the text included inside them is not completely comical, and has some truth to it. The main image also includes the red, white, blue, and yellow colour scheme, and features a medium shot of Donald Trump mid-speech.  The supporting graphics of fireworks rel...
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Timed Essay 4

'Long form television dramas lack originality; no matter which country they are made in, they all use intertextuality in the same way.’ How far do you agree with this statement? In this essay, I will examine the view that long form television dramas lack originality; no matter which country they are made in, they all use intertextuality in the same way, using ‘Stranger Things’ and ‘Deutschland 83’ in my answer. Regarding originality in long form television dramas, Baudrillard’s theory of post-modernism can be applied. Post-modernism suggests that nothing is original anymore, as every media product is just a reinvention of an existing product. With this postmodernist perspective, every media text lacks originality, not just long form television dramas. ‘Stranger Things’ shows this lack of originality through its use of genre. The series is a hybrid genre of sci-fi and horror, and uses traditional codes and conventions of these genres, such as silence to build up tension, and a fli...
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Magazine Cover Analysis: Prospect

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  The masthead ‘Prospect’, located in the top third of the cover, is presented in a black, serif font. The serif and slight sophistication of the ‘ct’ in the masthead suggests that the magazine targets a more sophisticated and educated audience, as it is not as easy to read as sans-serif font.  The colour scheme consists of simply three colours: black, red, and yellow. The hint of yellow against the block red background mimics the Chinese flag, which connects to the main image.  The cover features three serif fonts, and as the eye travels down the cover, the font gets smaller in size, drawing the reader in.  The main image features close-up shots of Donald Trump and Xi Jinping, both powerful political figures. Whilst Xi Jinping is facing forwards, Donald Trump is positioned sideways, which emphasizes the emotionless, yet negative, look on his face. The image is in black and white, which is not too unconventional for magazines. There are no supporting images. Cover li...
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